A number of readers and subscribers have asked about issue 88.1/2. It should be coursing its way to your post box even as we speak. It features on the cover works from a crowd-sourced letterpress project developed by our Art Editor, Ryan Stander. It is as our a COVID project as you
In issue 87.3/4, NDQ was honored to feature ten prints from the artist Marco Hernandez. Hernandez’s work drew upon both his Mexican upbringing and his experiences in the United States as a Mexican-American. The print “Regando el Maiz y el Nopal” appeared on the cover of the Quarterly. His work used his distinctive
Just a quick update this morning from the North Dakota Quarterly office. Issue 86.3/4 is back from the copy editors and authors have received their edited work for review and final changes. Once I receive all the poems, stories, and essays back from the authors, I’ll set them in the
A Review of Deerhunter’s Double Dream of Spring By Dave Haeselin A confession: I haven’t listened to Deerhunter since 2007, the year that saw the release of the band’s album Cryptograms. Their music never really spoke to me and I had plenty of other bands to listen to. 2007 is
Ryan Stander is North Dakota Quarterly’s new art editor and to celebrate this, we’ve convinced him to share a little gaggle of his photographs from his instagram feed. Ryan hails from Minot State University in Minot, North Dakota. His work (in his own words!): “explores the reciprocal relationship between humanity
An exhibition of prints created by Daniel Heyman and NDQ’s Art Editor Lucy Ganje (titled “In Our Own Words: Native Impressions) is currently on display at the Virginia Museum of Fine Arts. The twenty-six prints on handmade paper feature portraits of Native Americans living in North Dakota. Portions of interviews
Borderlines: Accounts Paid, Accounts Due (published in NDQ 84.1/2) Lucy Ganje This piece portrays the movement of two families, both caught up in transnational border policies. Transnational borders within the United States of America are crossed daily—no need for a passport, no luggage or car searches, no checkpoint questions, at
Published in NDQ 84.1/2 Ute Kraidy holds a bachelor’s degree in Graphic Design from the Universidad de las Américas-Puebla, and a master’s degree in Journalism (Magazine Production) from the E. W. Scripps School of Journalism at Ohio University. She has fifteen years of experience designing for the nonprofit, health, and
North Dakota Quarterly is pleased to pass along some great regional arts news! The RedCan Graffiti Jam project of the Cheyenne River Youth Project (Cheyenne River Sioux Tribe) is a finalist for this year’s Robert E. Gard Award, a national arts award given out annually by Americans For the Arts. Here’s
North Dakota Quarterly 