The penultimate thing that I do before submitting an issue of North Dakota Quarterly to our publisher, the University of Nebraska Press, is write my editor’s notes. Since I’ve only done this twice, I don’t have a very firm grasp of the genre, and I’m never sure whether I should be lyrical
We’re hearing that contributors are receiving their copies of NDQ 85, and we’ll continue to make selections from this volume available here on the NDQ blog. Today we feature to poems by Evan Anders, “american idols” and “last of the polka dots” which both offer searing perspectives on our contemporary condition.
It would seem that my penchant for literalism continues for another week with Marjorie Power’s poem “Apartment Windows in January.” We’re enjoying a few more days of January type temperatures here in the Northern Plains and her poem evokes the beauty of the cold. It appears in NDQ 85 which
At the risk of being accused of a kind of literalism, this poem by John Walser which will appear in NDQ 85 has been banging around in my head all week. Check out more from volume 85 here. Subscribe. Submit. Chronoscope 126: The moon, the closest orbit By John Walser The
We’re getting closer and closer to NDQ 85 being ready. I will send back the final edits to our partners at University of Nebraska Press this morning and finalize the cover design. I think we’re far enough along now, though, to give our readers a sneak peak of the cover.
It’s been about three months since The Digital Press published NDQ editorial board member’s Eric Burin’s edited volume, Protesting on Bended Knee: Race, Dissent, and Patriotism in 21st Century America. For most books three months is barely out of the gate, but in the rapidly changing political landscape surrounding the Colin Kaepernick protests
I’ve received a number of emails lately from contributors and from fans of the Quarterly asking about volume 85 (2018). The official answer from the editor’s desk is… “it’s getting there!” The entire volume is in production at our new publishing partner, the University of Nebraska Press. Here’s a sneak peek
One of our great fears when North Dakota Quarterly went on brief sabbatical was that our contributors would forsake us and we’d lack for submissions. Happily, this was not the case, and our friends and supporters flocked to our new online submission platform and filled our queues with the good,
On January 1st, the public domain saw the first large-scale infusion of works since 1998. Any work published before 1924, now is in the U.S. public domain. This is an almost unprecedented catalogue of books, journals, films, and music has entered the public realm. This means that these works have been freed from almost all restrictions on
North Dakota Quarterly 