On Monday, the next issue of North Dakota Quarterly went to our publishing partners at the University of Nebraska Press. It is a pretty exciting issue (and not just because it’s almost done!). NDQ 89.1/2 includes not only the usual gaggle of stories, essays, and poetry, but a special section on
It is cold here in North Dakota (Quarterly) Land and it feels appropriate to share a wintery poem. Robert Fillman’s “Salting the Driveway (With Help)” is the kind of intergeneration meditation that breathes unexpected depth into an otherwise mundane activity. Poems like this (and this one in particular) prepare us to
Every now and then, I get some positive emails and comments about a poem, story, or essay. The last couple weeks I’ve had some nice remarks about Lisa Creech Beldsoe’s poem “Finishing My First Agatha Christie Novel over Breakfast, Then the News.” The poem appeared in NDQ 88.3/4. The poem is a brilliant reflection
Bill Caraher | I don’t think very often about Pompeii, mostly because there are other folks who think a good bit and more carefully about it, but every now and then something happens that makes me aware of how ubiquitous Pompeii is in our popular culture. For example, this week, I’ve been enjoying
Cold winter weekends are perfect for short fiction (actually, all weekends are, but I’m trying to embrace the current weather). It is our pleasure to share another story from NDQ 88.3/4: “The Famous Patient” by Tallia Deitsch. It tells the story of a caregiver’s time with the reclusive, and exceedingly difficult Mr.
A few years ago, during the darkest day of the Quarterly, I wondered whether we might pivot the entire project toward something I called (in my cloudiest of heads) the North Dakota Review. Needless to say this project never happened (and probably for the best), but North Dakota Quarterly has
There’s always a lull between issues. It’s a weird time when the last issue is in the hands of readers and the next issue is starting to wend its way though production. We’ve even pressed the annual pause button on poetry and essay submissions. It’s a good time to encourage
North Dakota Quarterly is proudly based at the University of North Dakota. As a result, this time of year, we invariably start to think about teaching and how the things we do, both in and outside the classroom shape the lives of people around us. As I hunkered down by
Gayatri Devi | Candyman, Director Nia DaCosta, Written by Jordan Peele, 2021. Thirty years ago, I almost completely missed the blatant racism of the first Candyman film (1992) because of the intentionally revolting imagery of the film that triggered not only a psychosomatic fear and horror, but also aversion and disgust in the viewer.
The crew here at NDQ is happy to have survived another chaotic year and managed, but just barely, to have produced two robust volumes of fiction, poetry, essays, reviews, and art. The entire editorial staff sends along its appreciation for everyone who entrusted us with their work and took the
North Dakota Quarterly 